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Chris Brown Do It Again Fortune

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2012 studio album past Chris Chocolate-brown

Fortune
ChrisBrownFortuneAlbumCover.jpg

Standard cover. Deluxe cover has a purple background
Studio album past

Chris Brown
Released July three, 2012 (2012-07-03)
Recorded 2010–2012
Studio

Various

  • The Record Constitute
  • (Los Angeles, California)
  • Mason Sound
  • (Northward Hollywood, Los Angeles, California)
  • The Striking Factory Criteria
  • (Miami, Florida)
  • Chalice
  • (Hollywood, Los Angeles, California)
Genre
  • R&B
  • pop
  • EDM
Length 54:53
Characterization
  • RCA
  • CBE
Producer
  • Chris Brown (too exec.)
  • Marker Pitts (exec.)
  • Team Informal (exec.)
  • Tina Davis (exec.)
  • Adonis
  • Alle Benassi
  • Benny Benassi
  • Boi-1da
  • Brian Kennedy
  • Danja
  • Gratis School
  • Fuego
  • H-Coin
  • Jason "JP" Perry
  • The Messengers
  • Polow da Don
  • Pop Wansel
  • The Runners
  • Tha Bizness
  • Tommy Hittz
  • The Underdogs
  • William Orbit
Chris Brown chronology
F.A.Thousand.E.
(2011) 		Fortune
(2012) 		10
(2014)
Singles from Fortune
  1. "Turn Up the Music"
    Released: February 7, 2012
  2. "Sweet Beloved"
    Released: Apr 10, 2012
  3. "Till I Die"
    Released: Apr 13, 2012
  4. "Don't Wake Me Up"
    Released: May xviii, 2012
  5. "Don't Judge Me"
    Released: August 14, 2012

Fortune is the 5th studio album by American vocalist Chris Chocolate-brown. Information technology was released on July 3, 2012, through RCA Records. Product is handled by Brown and several tape producers, including the Underdogs, Polow da Don, Brian Kennedy, the Runners, the Messengers, H-Money, Danja and Benny Benassi. The album also features several invitee appearances, including Big Sean, Wiz Khalifa, Nas, Sevyn Streeter and Kevin McCall.

Originally scheduled for release six months after the release of Brown's quaternary studio album F.A.Thousand.E. on March 22, 2011, Fortune was pushed dorsum several times before information technology was finally given a release date in July 2012. The album's aesthetics feature a heavy usage of blueish, suggesting a futuristic mood, that detaches itself from the graffiti imagery of Brown's precedent two albums. The music consists of R&B and pop, containing elements of electronic music, while the lyrical content concentrates on sexual adventures, narcissism, clubbing and romantic honey. The anthology received generally negative reviews from music critics, several of whom panned the lyrical content, though some critics were gratuitous towards the production. Despite its substandard critical reception, information technology was nominated for All-time Urban Gimmicky Album at the 55th Grammy Awards.

Fortune had a great international nautical chart success, debuting at number ane on the US Billboard 200, selling 135,000 copies in its starting time week and condign Brown's second number one album in the US, besides as his fifth consecutive peak ten album, following on from F.A.Grand.E. The anthology also debuted at number one in the Britain, the Netherlands, and New Zealand, while swain meridian 10 positions were attained on charts in Switzerland, Scotland, Japan, Ireland, France, Canada and Commonwealth of australia.

Preceding the release of Fortune was the pb unmarried "Turn Up the Music", which reached number 10 on the US Billboard Hot 100, and number one on the UK Singles Nautical chart. "Sweet Love" and "Till I Die" were released every bit the second and third singles, respectively. "Don't Wake Me Up" was released as the 4th single and reached the top ten in several countries. "Don't Judge Me" was released as the 5th and concluding single. To promote the anthology, Brown made several award show and televised appearances beyond America.

Groundwork and recording [edit]

Originally, Dark-brown wanted his fourth studio album F.A.M.Eastward. to be a double-disc consequent of 25-30 tracks, only the label was contrary to that. Right before the release of F.A.M.East. Chocolate-brown decided to follow his intentions in an acceptable mode for the label, working on a sequel of F.A.M.East. called Fortune, that would've been a whole new album that independent new material and fifty-fifty some tracks that didn't make the cut for F.A.K.E., releasing information technology half-dozen months later the previous album.[1] The creative person subsequently decided to take more than fourth dimension to work on the album, developing it as a project of its own, with its ain concept and sound being different than the one of its precedent album.

Work for Fortune began in mid-2011, with Kevin McCall revealing that he had been collaborating "heavily" with Brownish for an upcoming anthology.[2] Later that month, producer David Banner explained that the idea of the anthology was to create cloth that reflects before R&B efforts by Brownish and others in a more club-oriented style. On Jan 7, 2012, Brownish tweeted that there were only two weeks left of recording sessions for the anthology: "I'm excited for all the fans to hear my existent music".[4] The tweet was before long followed up by another from Brown, with him tweeting: "Dub step records on my album sounding crazy!!!!".[4] However, the tweet was later removed, suggesting that Brown gave away too much details most Fortune, and its working continued for some months.[iv] Chocolate-brown afterward told MTV in June 2012 that with the album he wanted to "give different textures, expressing mostly fun and sexual activity entreatment, but also giving pieces of maturity at the aforementioned time, transitioning from the positivity of F.A.One thousand.E. to the self conviction of this album". He also said that musically he wanted to create "a videogame-inspired futuristic and electronic atmosphere", that showcased his R&B roots, along with hip-hop and pop flavors.[5]

In addition to recording, it was revealed in January 2012 that Brown was in the studio working on the album with Asher Roth, Nas, Wiz Khalifa, will.i.am, and Child Sister.[half dozen] [7] In an interview with MTV News, producer Harvey Bricklayer, Jr., half of product duo the Underdogs, who co-produced "Turn Upward the Music", spoke more nigh the album, proverb "The Fortune record is F.A.M.E to the next level. He's really existence innovative with some of the music, taking pieces of other genres and integrating them into popular and R&B, which I think is actually absurd. Vocally, he sounds amazing; he's really, really coming into his own every bit a singer, as you'll hear in the song "Free Run" we did together".[eight] Producer Damon Thomas, the other half of the duo, added "The only way I can describe Chris and what he'southward doin' with this record that he's making is that he'southward this generation'due south Michael [Jackson]".[8] On Feb 29, 2012, Brownish tweeted "I hope this album will inspire all my fans to live life to the fullest!!!"[9] During a radio interview with Atlanta's Hot 107.9 in March 2012, rapper 2 Chainz revealed that he volition be appearing as a invitee vocalizer on Fortune,[10] however the track he was featured on did not brand the final track listing.[xi] In May 2012, songwriter and producer William Orbit stated that the track "Don't Wake Me Upwardly" that he produced for Madonna's album MDNA (2012) was given to Dark-brown for Fortune, despite Madonna wanted information technology, because "he knew exactly what he had to practice with that song".[12]

Music and lyrics [edit]

Primarily, Fortune is an R&B and pop album.[13] [fourteen] [15] [16] [17] The album as well includes elements of social club music, such as EDM and dubstep.[13] [xviii] After the dance-pop opener "Plough Up the Music", the anthology opens up with synth-rap infused songs like "Bassline", "Till I Die" and "Mirage". It continues for the balance of the anthology alternating R&B tunes similar "2012", "Sweet Beloved" and "Strip", with pop tracks similar "Stuck on Stupid", "iv Years One-time" and "Party Difficult".[18] The electronic features of the album can be heard in the autotune vocal editing of different tracks, just mainly announced throughout its production, varying from the directly business firm elements of "Turn Up the Music", the mixture of electro synthesizers with pure R&B on "Expect for You" and "Sweet Love", the electropop product of "Remember My Name", the heavy EDM aspects on "Don't Wake Me Upwards" and on the dancehall-infused "Trumpet Lights", to the dubstep instrumentation of "Primal ii Your Middle" and "Bassline".[16]

Lyrically, Fortune includes several songs most sexual encounters, well-nigh notably "2012", "Tell Somebody", "Biggest Fan" and "Sweet Dearest".[sixteen] [19] The character that Brownish portrays for the majority of the anthology is a narcissistic one, that brags about his own favorite qualities of himself, as well every bit his lifestyle, emphasizing how these things ensure him the attraction of women.[sixteen] [19] Romantic adventures are spoke past Brown throughout the album on tracks like "Free Run" and "Stuck on Stupid", where he sets aside his braggadocio, to open up about his love for another.[20] Other episodes of vulnerability on the album are "4 Years Old", where he reflects on how his richness and fame tin can't compare to the thought of love, and "Don't Wake Me Upwardly", that finds Brown clinging on to a past honey, which he can at present only experience while he's asleep.[21] Likewise as explicit sexual activity, vanity and genuine love, the lyrical content of Fortune likewise focuses on clubbing,[eighteen] main theme of songs like "Plough Upwards the Music", "Trumpet Lights" and "Till I Die".[18]

Artwork [edit]

The album's official cover (standard version) was revealed on February 29, 2012.[22] The cover fine art was shot in January of the same year by Steven Gomillion and Dennis Leupold of the photography team, Gomillion and Leupold.[23] On the album comprehend, a calorie-free shines down on Chocolate-brown, who poses against a blue backdrop, dressed in a blue "sleek, slim-plumbing fixtures conform with a skinny tie and thick black framed spectacles",[24] while the word "Fortune" appears behind him in unlike languages.[24] Brown and his art director Courtney Walter came upwardly with the idea of using hieroglyphics for the anthology's title.[23] In an interview by telephone with Erik Parker of CBS Local, Gomillion said Brown "knew before the last album came out what this one would await like. He thinks and then far alee".[23] Regarding the use of the color blue, Gomillion said "The funny thing about that blue is it basically just happened. Information technology matched the suit and information technology gives a kind of futuristic vibe. You'll run into blue throughout the [anthology] packaging".[23] Sarah Brotherton of MTV News wrote that the cover shows "a more than mature, sleek side" to Brown.[25] Becky Bain of Idolator noted that Brown "seems to have finally dropped his beloved graffiti imagery and is going for a futuristic vibe".[26] A reviewer for Rap-Up described it equally a "slick cover".[22] Alex Loinaz of Eastward! Online compared Brown'southward look to that of actors Keanu Reeves in The Matrix films, and Colin Firth in A Single Man (2009).[27]

Release [edit]

In Jan 2011, Brown told fans on Twitter that he was planning on releasing his so studio album, F.A.M.Eastward. (2011), as a double disc because he recorded too many songs for one disc and therefore planned on releasing a second disc titled, Fortune.[ane] However, during a listening party for F.A.One thousand.E. on March 14, 2011, Brownish announced that he would be releasing the Fortune disc in half dozen months.[28] On August 23, 2011, RCA Music Grouping announced it was disbanding Jive Records along with Arista Records and J Records. With the shutdown, Fortune is at present being released on the RCA Records brand.[29] During an interview with Rap-Upwards magazine in September 2011, Kevin McCall revealed that the album was existence pushed dorsum for an early on 2012 release.[2] So ii months later on, Jive Records French republic announced via Twitter that the anthology would exist released in March 2012, and later in Feb 2012 the initial tracklist of the anthology was announced.[30] [31] On October 27, 2011, Brown announced via his official Twitter account that "Strip" and "Biggest Fan" would serve equally the two lead singles from Fortune. Yet, "Biggest Fan" was not released as a unmarried, and post-obit the online premiere of "Turn Upwardly the Music" on Jan 26, 2012, several websites, including MTV News and Billboard magazine, reported that this would be the lead single from the album, while "Strip" served every bit a buzz single. On March 1, 2012, RCA Records confirmed that Fortune would be released in the US on May eight, 2012, as both standard and deluxe editions.[9] The track listing for both the standard and palatial editions of Fortune was revealed on May 29, 2012.[11] The album was set to feature fourteen tracks on the standard edition, with an additional v tracks on the deluxe edition.[11] On July 3, 2012, Fortune was released through RCA Records.[32]

Promotion [edit]

Chris Brown Performs at Supafest 3 Sydney, Australia 2012.

Brownish performed a number of songs from the album live for the festival Supafest in 2012.

On November 18, 2011, "Strip", featuring Kevin McCall, was released every bit a buzz single for the album.[33] [34] The vocal achieved moderate success, reaching number 37 on the United states of america Billboard Hot 100,[35] and number three on the US Hot R&B/Hip-Hop Songs chart.[36] In January 2012, Brownish released the first promotional photograph for Fortune, which showed him posing confronting a white backdrop, dressed in a full-length fur glaze, black hoodie and jeans.[37] At the 54th Grammy Awards, held at the Staples Center in Los Angeles, California on February 12, 2012, Brown performed a medley of "Turn Up the Music" and "Beautiful People".[38] The performance featured Brown dressed in a white and gray varsity jacket, white pants and sparkling sneakers, performing heavily choreographed routines with several dancers, atop a drove of blocks.[38] On February 26, 2012, he performed a truncated version of "Turn Up the Music" during the halftime show of the 2012 NBA All-Star Game in Orlando, Florida.[39]

On March 2, 2012, Dark-brown released the first episode of his Fortune spider web series, showing him backstage at the 2012 Lo Nuestro Awards where he performed "International Love" with Pitbull, playing in a glory basketball game game during NBA All-Star Weekend in Orlando with rappers Mutual, fifty Cent, T.I., and singer R. Kelly, likewise every bit partying and dancing at the lodge.[40] In April 2012, Brown appeared in Australia as one of the performing acts for the urban music festival, Supafest.[41] His fix listing was composed of 12 songs: "Plough Up the Music", "Till I Die", "Run Information technology!", "Deuces", "Yeah 3x", "Look at Me Now", "Cute People", "She Ain't You", "Wet the Bed", "My Final", "Body 2 Body" and "Birthday Cake".[42] On May 8, 2012, Brownish appeared on Dancing with the Stars (U.s.) to perform "Plough Upwards the Music".[43] For the performance, Dark-brown and his dancers wore suits.[43] He after performed the vocal at the 2012 Billboard Music Awards, held at the MGM M Garden Arena in Paradise, Nevada on May xx, 2012.[44] The performance featured projected images on the stage backdrop and BMX cycle stunt troupes racing effectually the stage, as Brown performed choreographed routines while lip synching.[44] [45] His functioning was met with a mixed response from celebrities, nearly notably Joe Jonas, Pink, and Carey Hart, who all criticized the singer for lip synching.[45] On June eight, 2012, Brown appeared on NBC'southward Today testify and performed "Turn Upwards the Music", "Don't Wake Me Up", "Yeah 3x" and "Forever", as part of the program's "Summertime Concert Series".[46]

At the 2012 BET Awards on July 1, 2012, he performed a medley of "Turn Upwardly the Music" and "Don't Wake Me Up", and appeared shirtless for the performance with half his body spray painted in grey.[47] Brown performed acrobatic moves with 6 backup dancers "under triangle-shaped beams" as green and ruby flashing lights appeared throughout the stage.[47]

Brown embarked on his Carpe Diem Tour in November 2012 to farther promote Fortune. The tour included 13 shows in Europe, five shows in Africa, and one prove in Asia; this amounted to a total of xix shows worldwide.[48] [49] [50] Brown began the tour on Nov 14, 2012 with a show in Denmark, and ended it on Dec 27, 2012.[51]

Ad [edit]

On June 19, the R&B vocalizer premiered his commercial for the project. The advertizing features a young Asian child who walks into an abased warehouse and is confronted by shadowy figures. The mysterious shadows are after the glowing cube that's glowing within his backpack. The kid doesn't want them to have it so he defends himself against his attackers with a couple of acrobatic break-dancing moves. He then runs into a secret room where the glowing cube flies into the wall and unlocks a undercover lawmaking, which reveals Chris Brown, himself. The vocaliser appears out of the wall and than absolves into the Fortune CD, which the amazed kid holds in hands.[52]

Singles [edit]

"Plow Up the Music" was released to contemporary hitting radio in the US on February vii, 2012 as the anthology's lead single.[53] [54] Music critics gave "Turn Up the Music" positive reviews; they praised its production and compared the song to Brown's previous singles "Forever" (2008) and "Yeah 3x" (2010).[55] [56] "Turn Up the Music" peaked at number x on the US Billboard Hot 100 chart,[57] becoming Chocolate-brown'south eleventh top ten single on the nautical chart.[58] It likewise reached the top ten in Commonwealth of australia and New Zealand,[59] and peaked at number i in the UK, condign Brown'southward first Great britain number one single.[60]

"Sweetness Beloved" was sent to Us urban contemporary radio on Apr 10, 2012 as the second single from the album.[61] [62] [63] The song reached number 89 on the United states of america Billboard Hot 100 nautical chart,[35] and number 25 on the US Hot R&B/Hip-Hop Songs nautical chart.[36]

"Till I Die", featuring rappers Big Sean and Wiz Khalifa, was released to US rhythmic contemporary radio on May ane, 2012 as the third unmarried from Fortune.[64] "Till I Die" received positive reviews from music critics, almost of whom praised the production.[65] [66] Information technology peaked at number 17 on the US Rap Songs chart,[67] and at number 14 on the US Hot R&B/Hip-Hop Songs chart.[36]

"Don't Wake Me Upward" was sent to US contemporary hit radio on June 12, 2012 as the anthology's fourth single.[68] "Don't Wake Me Up" received positive reviews from music critics, who mostly praised its product.[69] [lxx] It reached the peak ten in Commonwealth of australia, Republic of austria, Ireland, Nippon, New Zealand, Norway and the Uk.[71] [72] [73] [74] In the Us, "Don't Wake Me Upward" peaked at number 10 on the Billboard Hot 100 nautical chart, becoming Chocolate-brown's twelfth top ten unmarried on the chart, and his second top 10 unmarried from Fortune, post-obit "Turn Upward the Music".[35]

"Don't Guess Me" was sent to United states of america urban contemporary radio on August xiv, 2012, as the album's 5th single.[61] The vocal peaked at number 21 on the US Hot R&B/Hip-Hop Songs nautical chart,[36] and at number 67 on the Billboard Hot 100 chart.[35]

Disquisitional reception [edit]

Professional ratings
Aggregate scores
Source Rating
Metacritic 38/100[75]
Review scores
Source Rating
AllMusic [20]
BBC Music [76]
Chicago Tribune [sixteen]
Entertainment Weekly C–[18]
Los Angeles Times [77]
The Observer [78]
HipHopDX [79]
Rolling Stone [80]
The Scotsman [17]
Spin 4/x[81]

Fortune was met with generally negative reviews from music critics. At Metacritic, the album received an average score of 38, based on fourteen reviews.[75]

AllMusic's Andy Kellman criticized the album'due south lyrical content as "shameless" and found "few dimensions" in its music, calling it "an album of unapologetic swashbuckling" that is "saved... from existence a disaster" past some of its production.[20] Kyle Anderson of Entertainment Weekly establish the songwriting perfunctory and commented that the anthology "furthers the uncomfortable and frustrating disconnect between Brown's hotheaded personal life and his oddly edgeless musical persona".[18] Jon Caramanica of The New York Times criticized Brown'south "audacity" and stated, "Listening to Mr. Brown at the deepest level balances aesthetic pleasures, when they happen, with superegolike self-protection against aligning oneself too closely with someone who's done such heinous things".[82]

Hermione Hoby of The Observer panned the anthology's songs every bit "ugly stuff".[78] Jesse Fairfax of HipHopDX found Fortune to be "a good anthology of grandiose self-assured posturing", simply he said that it'southward "kind of beneath to what Chocolate-brown could bring to the table".[79] [13] Evan Rytlewski of The A.V. Society criticized Chocolate-brown'south "no apologies mantra" but concluded up saying that "The truth is in the middle of the beholder, and with easily accessible albums like Fortune, at that place will go on to be a lot of eyes on Chris Brown".[19]

James Reed of The Boston World complimented "Don't Wake Me Up" as "a thumping club cutting that'south irresistible on an otherwise forgettable anthology".[83] Barry Walters of Spin commented that, apart from "Don't Wake Me Up", Fortune "makes it easy for Chris Brown's haters and harder on his many fans", writing that "there's more than the usual number of midtempo ballads that once again mix sex-fantasy titillation with his defensiveness".[81] Chicago Tribune writer Greg Kot called the album "a pure-pop candy pikestaff, meant to be enjoyed, consumed and forgotten", commenting that "its mixture of smut, vulnerability, menace and dancefloor commemoration".[16] In a mixed review, Randall Roberts of the Los Angeles Times likened the album's trendy musical style to a product's shelf life and attributed information technology to "Brown'southward reflex of curbing his artistic impulses at nearly every turn, with a few killer exceptions, and showing a conservatism unbecoming such a cocky-styled renegade".[77]

Accolades [edit]

Fortune garnered a nomination for Favorite Soul/R&B Album at the 2012 American Music Awards, just lost to Rihanna'southward Talk That Talk.[84] [85] The album was nominated for Earth's Best Anthology at the 2012 World Music Awards.[86] It earned a nomination for Best Urban Contemporary Album at the 2013 Grammy Awards, though ultimately lost to Frank Body of water's Channel Orangish. [87] At the 2013 Billboard Music Awards, Fortune was nominated for Height R&B Anthology.[88]

Commercial performance [edit]

The album entered at number one on the United states Billboard 200, with first-week sales of 135,000 copies, giving Brown his second chart-topping album in the United states of america.[89] Even so, the first-calendar week sales of Fortune were less than those of Chocolate-brown's previous studio anthology F.A.M.Eastward., which sold 270,000 copies and was also a chart topper.[89] In its second week on the chart, Fortune experienced a 67% sales decrease, selling 45,000 copies, and the anthology descended three places to number four.[90] The following week, the album brutal out of the summit 10, falling a further nine places to number 13, selling 26,600 copies in its third week.[91] As of September 2012, Fortune has sold 303,600 copies in the US.[92] It ranked as the 77th best-selling album of 2012 in the country.[93] On March 25, 2016, the album was certified platinum by the Recording Industry Clan of America (RIAA), for combined album sales and anthology-equivalent units of over one million in the US.[94]

Fortune made its debut on the Irish gaelic Albums Chart at number four on July five, 2012, marker Brown's third top-ten album in that country.[95] [96] In kingdom of the netherlands, the anthology debuted on the Dutch Albums Chart at number one on July vii, 2012, giving Chocolate-brown his commencement chart-topping album in the country.[97] Fortune debuted at number one on the UK Albums Chart for the issue date of July 14, 2012, selling 29,980 copies in its first week, and giving Dark-brown his outset UK number-one album.[98] [99] This stood equally the first time that an R&B album reached number one in both the United kingdom of great britain and northern ireland and US since Beyoncé'due south fourth solo studio album four did and then in 2011.[100] [21] The album was ultimately certified gold by British Phonographic Industry (BPI) on January 17, 2014 for combined album sales and album-equivalent units of over 100,000 in the UK.[101] Fortune debuted at number 9 on the Japanese Albums Nautical chart, selling 9,922 copies for the week ending July 16, 2012.[102] [xv] The album also debuted at number 6 on the Canadian Albums Nautical chart and number 10 on the Swiss Albums Chart respectively.[103] [97] On the French Albums Chart, Fortune entered at number eight, selling 6,434 copies in its first week; this debut made it stand as Brownish's get-go anthology to enter the peak ten on the nautical chart.[104] [105] The album peaked at number ii on the ARIA Albums Nautical chart, giving Brown his highest charting album in Australia and was ultimately certified gold by the Australian Recording Industry Association (ARIA) in 2019 for exceeding 35,000 shipped copies.[106] [107] In New Zealand, Fortune debuted at number i on the New Zealand Albums Chart, becoming Brown's first number-one album in the state.[108] On the Scottish Albums Chart, the album reached number 2.[109] Fortune debuted at number xiii on both the Danish Albums Nautical chart and German Albums Chart.[97] [110]

Track listing [edit]

Credits adapted from liner notes.

No. Title Writer(s) Producer(s) Length
1. "Plow Up the Music"
  • Chris Brownish
  • Harvey Mason Jr.
  • Michael Jimenez
  • Terence Coles
  • Fuego
  • The Underdogs
 iii:48
two. "Bassline"
  • Brownish
  • Robert Calloway
  • Ronald "Flip" Colson
  • Andrea Simms
  • Pop & Oak
  • Dayvijae[a]
3:59
3. "Till I Die" (featuring Big Sean and Wiz Khalifa)
  • Brown
  • Sean Anderson
  • Cameron Thomaz
  • Danja
  • Marcella Araica[a]
3:56
4. "Mirage" (featuring Nas)
  • Brown
  • Nasir Jones
  • Eric Bellinger
  • Kevin McCall
  • H-Money
  • Brown[a]
four:17
5. "Don't Guess Me" Brownish The Messengers 4:00
half dozen. "2012"
  • Brownish
  • McCall
  • Adonis
  • McCall[a]
4:08
vii. "Biggest Fan"
  • Brown
  • Amber Streeter
  • The Runners
  • The Monarch[a]
3:59
8. "Sweetness Dearest" Brown
  • Perry
  • Polow da Don
 3:20
ix. "Strip" (featuring Kevin McCall)
  • Brownish
  • McCall
  • Streeter
 Tha Bizness 2:47
10. "Stuck on Stupid"
  • Brown
  • Dewain Whitmore Jr.
  • Kennedy
  • D. Jones[a]
three:59
eleven. "4 Years Erstwhile" Brown
  • Polow da Don
  • Hittz
 iii:49
12. "Party Difficult / Cadillac (Interlude)" (featuring Sevyn)
  • Dark-brown
  • Streeter
  • Boi-1da
  • Kennedy
  • Brown
 5:14
13. "Don't Wake Me Up"
  • Dark-brown
  • Ryan Buendia
  • Priscilla Hamilton
  • Nicholas Marsh
  • Michael McHenry
  • Alain Whyte
  • Alle Benassi
  • Benny Benassi
  • Free School
  • William Orbit
  • Kennedy[a]
3:42
14. "Trumpet Lights" (featuring Sabrina Antoinette) Brown
  • Polow da Don
  • Jerome Harmon[a]
3:47
Palatial edition additional tracks[111]
No. Title Author(s) Producer(s) Length
15. "Tell Somebody" Brown
  • Polow da Don
  • Harmon[a]
4:04
16. "Costless Run"
  • Dominique Cohill
  • Michael Daley
  • Steve Russell
 The Underdogs 4:01
17. "Remember My Proper name" (featuring Sevyn)
  • Dark-brown
  • Streeter
  • McCall
  • Chocolate-brown
  • Free School
  • Jonas Jeberg[a]
3:39
18. "Wait for You"
  • Brown
  • Bellinger
  • H-Money
  • Brown[a]
iii:38
19. "Touch Me" (featuring Sevyn)
  • Brownish
  • Streeter
 R.A.P. 1220 iii:37
UK and Republic of ireland deluxe edition (bonus tracks)[112]
No. Championship Author(s) Producer(s) Length
twenty. "Key 2 Your Heart"
  • Chocolate-brown
  • McCall
 Dallas Austin 3:23
21. "Do It Again"
  • Brown
  • Streeter
  • The Runners
  • Goad
 3:34
Japanese deluxe edition (bonus track)[113]
No. Title Author(south) Producer(due south) Length
twenty. "Your Globe" Brown The Messengers 3:50
Rarities & B-Sides parcel, and streaming version (bonus tracks)[114]
No. Championship Author(s) Producer(southward) Length
20. "Oh Yeah" (featuring Snoop Dogg and two Chainz)
  • Chocolate-brown
  • Omololu Akinlolu
  • Calvin Cordozar Broadus Jr.
  • Tauheed Yard. Epps
  • Drumma Boy
 four:41
21. "Calypso" Dark-brown Polow da Don 4:49
22. "Get Down" (featuring T-Pain and B.o.B)
  • Brown
  • Faheem Rasheed Najm
  • Bobby Ray Simmons Jr.
 Young Fyre iii:38
Total length: 87:04

Notes

  • ^[a] signifies a co-producer
  • The UK and Ireland deluxe edition is a double disc album.
  • "Turn Up the Music" contains groundwork vocals by Michael Jimenez
  • "Don't Judge Me", "Biggest Fan", "Stuck on Stupid" and "Do It Again" contains background vocals past Sevyn Streeter
  • "2012" contains background vocals by Adonis, Georgia Reign, and Kevin McCall
  • "Party Hard / Cadillac (Interlude)" contains background vocals past Dewain Whitmore Jr.
  • "Wait for Y'all" contains background vocals by Courtney Harrell
  • "Key two Your Heart" contains background vocals by Kevin McCall

Sample credits

  • "Party Hard / Cadillac (Interlude)" contains a portion of "Computer Beloved", written by Shirley Murdock, Larry Troutman and Roger Troutman.

Personnel [edit]

Credits for Fortune adapted from liner notes.

Charts [edit]

Certifications [edit]

Encounter also [edit]

  • List of Billboard 200 number-1 albums of 2012
  • List of Billboard number-one R&B albums of 2012
  • List of number-1 albums from the 2010s (New Zealand)
  • List of United kingdom Albums Chart number ones of the 2010s
  • Listing of UK R&B Albums Chart number ones of 2012

References [edit]

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External links [edit]

  • Official website
  • Fortune at Discogs (listing of releases)

smithderignatim.blogspot.com

Source: https://en.wikipedia.org/wiki/Fortune_%28Chris_Brown_album%29

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